Saturday, August 29, 2015

Review Saturday: Zak Abel - "Soul Child"

Zak Abel
Soul Child
One Hand on the Future
Atlantic

Zak Abel is probably known as a feature artist in Gorgon City's "Unmissable" last year, but it was "These Are The Days" that makes me notice him more. Abel's unique and distinctive voice sounds really mature beyond his age, and it really fits R&B/soul genre that he chooses. When I discovered that Abel just released his latest EP yesterday, I have such a high expectation and anticipation. I am extremely elated that this 19-year-old young man can fulfill my expectation. 

One of the most standout tracks from One Hand on the Future is "Soul Child". It is an incredible soulful song which surprisingly really catchy. Started by Abel's guitar-picking--the result of his self-learning in playing guitar and piano--"Soul Child" breathes a different kind of soul that I've never listened from any other soul songs before. Abel's voice and Joker's production complete each other in this song. The most standout part of the track, though, is when Abel swirls his voice on chorus as he sings, "And all I wanna do is give you my everything, give everything to you". Abel injects modernity on his songs that makes "Soul Child" a flowing and a neoteric song. 



Wednesday, August 19, 2015

Review Wednesday: FKA twigs - "in time"

FKA twigs
in time
M3LL155X
Young Turks

This week is really interesteng. It makes all hipster rejoice as several "hipster-darling" gives several pleasant surprises, like Deerhunter's new song "Snakeskin" from their latest album, Fading Frontier, Deafhaven's new song, and of course FKA twigs' surprise EP release. As much as I love "Snakeskin", FKA twigs took the gold medal away this week.

Tahliah Barnett seems to be on fire these past three (or four?) years. After releasing an amazing album, LP1, last year, Barnett decides to surprise her fans by dropping such an expected EP. She actually has teased several songs on music festival before, like "Glass & Patron" or "in time" before, but this sudden EP is somehow still shocking.

Just like most of FKA twigs' previous songs, "in time" still talks about shaky relationship imbued with sensual lyrics and whispers. She starts the song with "In time, you'll learn to say sorry", like another proof that women are always right--while of course, they are always right. She continues, "And I will play tender with you". She exactly knew what her man wants. In "in time" she and her lover are in torturous relationship. She longs for his "hands on my body will resonate through me" and that's what will make their relationship "better" and "stronger"

"in time" is also unique musically. twigs imbued this song with trip-electronic just like what she did in LP1. However, I don't find this song belongs to the album. "in time" is just like a whole new entity and it is another perfect song by her.

You can listen to "in time" starting from minute 7:10.


*Review Wednesday is a song article which will be posted every Wednesdays (hiopefully) regularly. It talks about the stand-out songs that I listen this week*

Wednesday, August 12, 2015

Review Wednesday: The World Is A Beautiful Place & I Am No Longer Afraid To Die - "January 10th, 2014"


The World Is A Beautiful Place & I Am No Longer Afraid To Die 
January 10th, 2014
Harmlessness
Epitaph Records

I am a big sucker for anything related to myth. Give me a rip-off of Greek and Roman mythology (yes, Mr. Riordan, that is you) and I will swallow it like an Aspirin. That's probably why this song coming from one of bands with the longest name in the world (48 characters, excluding spaces--the record holder is The Rock and Roll Dubble Bubble Trading Card Co. of Philadelphia - 19141 with 58 characters) can be digested easily. I am not fan of emo song, but well, "January 10th, 2014" is really unique and magically it gives me some kind of random tranquility. 

Inspired by a true story in Ciudad Juarez about a female Mexican vigilante who hunted the male bus drivers who killed and abused the sole female passenger, she is depicted as Diana in this song. This is, of course, with a particular reason. On her letters to justify her killings, she regards herself as "Diana, the hunter of drivers". Which is remarkably amazing and creepy and badass at the same time. Well, if Diana--the Apollo's sister--used to hunt for animals and protect the moon whatsoever, this modern Diana is like a female Robin Hood. But, much much more dangerous. 

"January 10th, 2014" tries to capture the retaliation of modern Diana in this song as shown in the video. But what I like the most about the song is the "conversation" between Bello and Shanholtzer-Dvorak. As Shanholtzer-Dvorak portrays Diana and Bello as the man who is being hunted, I feel their conversation and interaction is really intriguing. It's like you are being chased by fierce female hunters, and yet you still manage to have a casual talk with your killer. "Are you afraid of me now?" Shanholtzer-Dvorak sings, and Bello replies, "Well, yeah. Shouldn't I be?" I find this is cool and awesome. 

"January 10th, 2014" is the lead single from The World Is A Beautiful Place & I Am No Longer Afraid To Die's sophomore album, Harmlessness.



*Review Wednesday is a song article which will be posted every Wednesdays (hopefully) regularly. It talks about the stand-out songs that I listen this week. Hope you enjoy it.*

Wednesday, July 29, 2015

Review Wednesday: Carly Rae Jepsen - "Run Away With Me"


Carly Rae Jepsen
Run Away With Me
Emotion
Interscope

I think the most stunning pop record of the year goes to Carly Rae Jepsen's Emotion. She treats us better than what Taylor Swift did with her last year's 1989. I mean I would not expect that this 80s-infused album will turn out so much better than every pop record that is released this year, far more superior than her last effort, Kiss, which was released in 2012 ago. 

"Run Away With Me" opens the album, and this is such a trenchant opening track. I am not trying to hyperbolize that "Run Away With Me" is probably the best pop song of the year. It is somehow opulent in melody and instruments, making "Run Away With Me" a complete and comprehensive pop song. Who knows imbuing your song with a saxophone can induce something amazing like this? I have some suspicion, though, that Jepsen possesses some secret formula to make a hit pop song. The lyrics are simple and modest and it sounds like a song for elopement, but the beat and Jepsen vocal's when she twists her voice are amazing, and that's why this song is the perfect summer jam. 





*Review Wednesday is a song article which will be posted every Wednesdays (hopefully) regularly. It talks about about stand-out songs that I listen during the week. Hope you enjoy it.*


Thursday, July 2, 2015

My 10 Favorite Sufjan Stevens Songs



Stevens just hit his 40th year yesterday at first of July. During his fifteen-year career in music, he has released seven studio albums, has some side projects (Sisyphus, Marzuki, etc) and has kept his effortlessly hot appearance. No, seriously. He is hot, even for a forty-year-old man, and anyone with sane mind--regardless of his gender and sexuality--should have a crush on him. 

In the spirit of Stevens' 40th birthday, I am going to dig through his several catalogs (sans A Sun Came and Enjoy Your Rabbit since I haven't had the opportunity--and importantly, time--to hear them) and pick some of my favorite songs by this amazing (and hot) musician. 

In no particular order, here are my favorite songs. 

1. Should Have Known Better
Stevens' bitter past allows him to show the brittle and delicate side of himself. 'Should Have Known Better' recounts his childhood experience when he began to realize that his family was not as perfect as he thought. When he sings, "When I was three, three maybe four, she left us at video store", he tries to collect his memories when his mother left him and his siblings from their life. Even though this song is gloomy, but at the time when Stevens shifts the chord and sings in falsetto, Stevens is filled with hope. "Nothing can be changed. The past is still the past", he whispers, finally letting go of everything, regretting nothing. It's as if a crepuscular ray of sunlight tries to go through thick clouds and create a breathtaking scenery. 

2. Chicago
A list of Sufjan Stevens tracks will be incomplete without 'Chicago'. The biggest city in Illinois and the windiest city in America has inspired Stevens. In this youthful track, Stevens recalls his experience from his road trip to Chicago. 'Chicago' depicts the wild side of Stevens. It crushes everything we have imagined about Stevens as shown in "We slept in parking lot. I don't mind, I don't mind". Well, Stevens probably "made a lot mistake" in this song, but I can't deny that 'Chicago' is Stevens' most successful song as well as the most defining and the most salient. 

3. Casimir Pulaski Day
Stevens is undoubtedly a religious person. He often inserts Christian references here and there on his songs. However, he's no saint. He's still human being. When he longs for a thing, and God doesn't grant it, as humane as he can be, he shouts, "Tuesday night at the Bible study, we lift our hands and pray over your body, but nothing every happens." 'Casimir Pulaski Day' talks about pure love, illness, death, sepulcher and higher deity. When the lover of his passes away, Stevens goes through the first state of grief, as he sings, "In the morning in the winter shade on the first of March, on the holiday, I thought I saw you breathing." But, finally he accepts everything and acknowledges that God has better plan for his lover.

4. Oh God, Where Are You Now? (In Pickeral Lake? Pigeon? Marquette? Mackinaw?)
I admit that up until now I am struggling with my faith, and I think everyone has undergone the same phase at least once. In 'Oh God, Where Are You Now? (In Pickeral Lake? Pigeon? Marquette? Mackinaw?', Stevens also questions the omnipresence of God. He screams, "Oh God, hold me now. Oh Lord, hold me now. There's no other man who could raise the dead." He misses God, and really needs His help. But, sometimes God works in mysterious way or sometimes we turn deaf when God speaks His will. 

5. All Of Me Wants All Of You
"You checked your texts while I masturbated. Manelich, I feel so used" is the most boldest and bravest couplet Stevens has ever written. While music critics discuss what Manelich could mean, inquire his sexuality (as Manelich is a male name), "You checked your texts while I masturbated" is a precise analogy to describe a dying relationship where the couple starts to be apathetic toward each other. Similar to the other tracks from Carrie & Lowell, 'All Of Me Wants All Of You' also talks about Stevens' mother. He misses the presence of mother when he whispers, "Traced your shadow with my shoe, empty outline changed my view." 

6. I Walked
Age of Adz is the experimental album by Stevens, and I can't enjoy it as much as Stevens' other albums. But 'I Walked' is my favorite song of the album. It somehow reminisces the folk Stevens. Inspired by Royal Robertson's life, 'I Walked' is about a break of the relationship. 

7. The Man Of Metropolis Steals Our Heart
Illinois provide us various tunes of Sufjan Stevens, proving his genius and flair in crafting songs. A rock guitar riff starts 'The Man Of Metropolis Steals Our Heart'. But it's not only that. Stevens also includes other instruments, such as marching bands, jazz instrument and electronic ambient, as if he tried to say, "Fuck music genre!" His work creates a cheerful song like this, and it has the capability to lift your mood all day. 

8. All The Trees Of The Field Will Clap Their Hands
Stevens is known to use several Biblical references on his songs, and Seven Swans is heavily filled with them. 'All The Trees Of The Field Will Clap Their Hands'--even if the lyrics seem bland--is very rich in Biblical references. The title itself is taken from Isaiah. This song is about Stevens' preparation in welcoming the God's second coming--which gives a chill to my bone. 

9. Vito's Ordination Song
This is another extraordinary song by Stevens as he wrote in point of view of Jesus. Vito is Stevens' best friend, and he asked Stevens to write a song about his ordination as a Presbyterian minister. Stevens must exceed his expectation when he finally came up with this. 'Vito's Ordination Song' reminds us the love of God, how He knows everything about us--even before we are born. "I always knew you in your mothers arms." He also knows the best plan for our life "to be a better man". This song is genuine and somehow makes me closer to Him.

10. The Predatory Wasp Of The Palisades Is Out To Get Us
As copied from Paste Magazine, this song relates experiences from his childhood summer camp. The beginning flute solo puts us right on the floor with the child narrator. As he writes a letter home, he ponders the nature of the living